US | 2017 | 03:43

Was it all a dream?

Slovenia | 2016 | 01:43

The inevitability of death and what happens when we die is one of the most common questions that we ask ourselves in our short life.

Russian Federation | 2017 | 10:38

Is it possible to feel, feel the vibration of time peering into the dust particles lost in the pile of garbage Internet space?

Germany | 2017 | 03:29

The animation switches between the perspective of god and civilian, the feeling of realness and unrealness, and the result of disorder and coherence.

Japan | 2016 | 03:45

An optisonic exploration of a world of primordial shapes created through various chemical treatments of a Super 8 emulsion. The sonic counterpart was made using a generative patch on an analogue synth, with voltage inputs from light sensors on the projection screen - the film itself steering the dynamics of sound synthesis.

Canada | 2016 | 10:39

The story focuses on the use of portals to transfer narrative momentum from one Walmart employee to another as they go about starting the work day.

Germany | 2017 | 04:00

This project initiated from a workshop dedicated to working with the Bolex camera.

Croatia | 2017 | 04:48

its a poetic experiment with body parts and emotions

US | 2016 | 08:04

"Impenetrable as Night" takes inspiration from the landscape of northern Iceland as virtual site for a demented tactical and techno-spiritual training camp.

US | 2017 | 02:58

Kazimir Malevich's "Black Square" (1915) receives glitch treatment - perceived as "desecration" - and perhaps embraced by this Suprematist if he were alive today. Suprematism is based upon "the supremacy of pure artistic feeling", and the kinetic glitch treatment enhances these emotions via pixel reconfigurations, the introduction of color fields and movement.

US | 2016 | 05:00

A cleansing ceremony for Jewish brides reinterpreted by two married men.

Germany | 2017 | 06:12

Space fragments drift through the wide dark space like noctilucent clouds. They are fragmented memories of apparently past childhood days. Memories that are linearly arranged but which irritate because the spaces are incomplete and separate from each other, as if they could no longer be filled and built together by connecting memories or stories.

Canada | 2016 | 10:23

In Still Time is an experimental animation that investigates the catastrophic image to facilitate questions about the moral imperative to look, and our (in) ability to bear witness to unthinkable human suffering.

Mongolia | 2016 | 05:17

The melody 'Builgan shar' is a traditional composition for morin khuur (horsehead fiddle). The melody is not only connected to horses, but to many aspects of a Mongolian nomadic way of life. The footage was shot in Albany, OH during the horse show. It was edited and manipulated using analog equipment during the CEC Artslink Residency in Athens, OH.

Austria | 2017 | 06:28

No light, no film. In mainstream cinema productions, and the James Bond film series in particular, lamps sometimes play a dramaturgically key role. In the video ‚fade IN fade OUT’ they become the main actors at the centre of events.

US | 2016 | 07:35

This piece entitled Terabyte explores the space inside of the computer and the vast amount of information that it stores and processes. After filling up a 1 terabyte hard drive, I take explorative screen recordings of the data, which includes images, video, and code.

Argentina | 2017 | 03:57

¡PíFIES! (from the Spanish slang, "mistake") is an apology to the technical problems of the amateur filmmaker. A rhythmic collage where the focus is placed on the mistakes, or what would have been discarded by the cineiste, instead of being left.