Lectures and Workshops | Lectures and Workshops
UNIT.City
  • Big Networking Even

    29.09 | 14:00-18:00 (UA-EN), Dovzhenko Centre

    The event will bring together presentations of new initiatives, research, and opportunities supporting the development of Ukrainian animation. The programme will include a presentation of the XR Association, findings from the international FRAME research project, Toon Boom’s Starting Point educational programme, and UNESCO grant opportunities at the intersection of animation and game development. We will also discuss preparations for the 100th anniversary of Ukrainian animation in 2027 and future collaboration across the industry.

  • Why I Hate AI — and How to Hate It a Little Less?
    Illia Dutsyk

    30.09 | 11:00 (UA), UNIT.Core B.8 

    AI is already here. It's being used to create ads, launch campaigns, and visualise ideas. At this point, there doesn’t seem to be much of a choice between "using it or not." We'll have to accept its presence, learn how to work with it, and come to terms with the fact that 95% of AI-generated content is almost impossible to look at. But then there’s that other 5% — the part that makes it all worthwhile. In this talk, Ukrainian director Illia Dutsyk will focus precisely on that 5%: how to stop seeing AI simply as a way to "make things cheaper" and start using it as a powerful creative tool.

  • Animation Without an Animator: Meta-Irony or Reality?
    Nataliia Haida, Vitalii Nebelskyi, Bohdan Sokolan, Olha Havrylova, Nataliia El Baba

    30.09 | 12:30 (UA), UNIT.Core B.8

    Artificial intelligence is rapidly transforming the creative industries — from research and concept development to the automation of production. Does it help free up time for creativity, or is it gradually replacing people and reshaping the industry itself? Together with four representatives of the creative industries — Vitalii Nebelskyi, Natalka Haida, Bohdan Sokolan, and Olha Havrylova — we will discuss some of the most pressing questions, new opportunities and risks, authorship, and the boundaries of responsible AI use.

  • Panel Discussion: Show Me Your Skeletons! Why We Need to Confront "Difficult" Heritage
    Oksana Volosheniuk, Taras Spivak, Liusia Zoria, Alona Penzii

    30.09 | 18:00 (UA), UNIT.Core B.8

    Films from the Soviet period are deeply imbued with an ideology that many of us now wish to reject and leave behind like a bad dream. Yet the unspoken and unexamined chapters of the past, hidden away in the dark closet of history, inevitably resurface in unexpected ways. How do we engage with this legacy in the context of a full-scale hybrid war? How can we sharpen our decolonial lens and critical thinking to analyse it? How do we communicate our history to international audiences through cinema? And how can we reflect on and reinterpret this heritage not only from an academic perspective, but also through artistic and creative practice?

  • How to morph your visual art to music
    Simon Breeveld

    01.10 | 11:00 (EN), UNIT.Core B.8

    Simon Breeveld breaks down one of his previous music videos to explore the creative decisions behind his distinctive visual language — from concept and references to 3D animation, rhythm, sound, and the relationship between image and music. A Belgian director and 3D artist, Simon has created music videos for Brussels-based artists including ECHT!, Avalanche Kaito, and Jean-Paul Groove, with works such as 500Gr., Permanent, Toulelé, Baboon, Trash Club, and Highed. He is also no stranger to LINOLEUM: his music videos have previously appeared in the festival’s Commissioned Film Competition, with ECHT! – Highed receiving a Special
  • From Animation to Contemporary Art: Building Bridges Between Creative Disciplines
    Lucie Grannec

    01.10 | 12:00 (EN), UNIT.Core B.8

    In this talk, Lucie Grannec will share her journey as an animation director and illustrator, reflecting on her creative practice and the projects she has developed since graduating from ENSAD Paris. Drawing on her experience as a member of Non-Étoile, a multidisciplinary collective of more than one hundred artists supported by public cultural institutions in France, she will explore the connections between animation, contemporary art, illustration, and digital culture. The talk will focus on how animation can move beyond its traditional boundaries and engage with museums, galleries, and collaborative artistic spaces. Lucie will discuss the value of interdisciplinary exchange and why building relationships between different creative fields can open up new opportunities for artists and enrich the animation medium itself.

  • How to create a sustainable animation studio
    Arthur Venayre

    01.10 | 13:00 (EN), UNIT.Core B.8

    How to build and run a sustainable animation studio — creatively, financially, and operationally. Arthur Venayre of LodiQor Productions will share practical approaches to structuring workflows, managing teams and resources, and creating production processes that are more efficient, responsible, and realistic. The session will explore how studios can balance budgets, timelines, team capacity, and creative ambition without compromising the quality or identity of the work.
  • LUNA ROSSA: Screening and Discussion
    Priit Pärn, Olga Pärn, Mykyta Lyskov

    01.10 | 15:00 (EN), UNIT.Core B.8

    A special screening of LUNA ROSSA, followed by a discussion with the legendary creative duo Olga and Priit Pärn about the origins of the film, its visual language, and animation techniques. We will also explore their long-standing artistic collaboration: how they work together on joint projects, divide creative roles, and find a balance between two distinct authorial perspectives.

     

  • Master class: storytelling and visual development

    02.10 | 11:00 (EN), UNIT.Core B.8

    Samuel Patthey will share his approach to storytelling and visual development, tracing how observation, drawing and experimentation shape his films from the first sketches to the final animation. Influenced by Art Brut, he works intuitively, building narratives through atmosphere, rhythm, sound and subtle human gestures rather than relying on conventional storytelling. Drawing on Travelogue Tel Aviv, the Annecy Cristal-winning Ecorce (co-directed with Silvain Monney), and his latest short Sans Voix, Patthey will explore how the subject of each film gradually defines its visual language and form.
  • A Crawlspace of Perseverance: Exploring Ukrainian Animation
    Chris Robinson, Mykyta Lyskov

    02.10 | 12:00 (EN), UNIT.Core B.8

    Canadian animation writer and curator Chris Robinson and Ukrainian animator Mykyta Lyskov discuss the making of A Crawlspace of Perseverance: Exploring Ukrainian Animation, the first English-language book devoted to the history of Ukrainian animation. Scheduled for publication in September 2027, in time for Ukrainian animation’s centenary, the project combines Robinson’s recent immersion in the subject with Lyskov’s close ties to the animation community and his earlier interviews with many of its artists. Their conversation will explore how the book began, what they have discovered along the way, and how Ukrainian animation has endured through censorship, institutional collapse and war.

  • How to festival: Festival Strategy for Your Animated Film
    Alexandra Hroncová

    02.10 | 13:30 (EN), UNIT.Core B.8

    Everything you need to know about navigating the festival circuit for your film. Which festivals should you target? How do you find the right fit for your project—Cannes or Berlin, Annecy or Animator? What materials and promotional tools do you need to prepare? How long does the festival lifecycle of a short film really last? In this seminar, we’ll guide you through the essential rules of festival submissions, share practical tips and tricks, and provide valuable recommendations and insights to help your film reach its audience.

  • CASES: LUCKYSIDE ANIMATION STUDIO
    Karyna Tkachova, Mykola Shkoda

    3.10 | 12:00 (UA), UNIT.City B.9

    A new generation of Ukrainian creators presents their independent animation studio. Sharing their own journey, projects, challenges, and mission, the studio’s producers will talk about their experience of creating non-commercial auteur films and explore the impact and hidden power of indie animation.

  • CASES: RED ZONE
    Iryna Tsilyk, Lia Mchedlishvili

    03.10 | 13:00 (UA), UNIT.Coworking B.9

    Filmmaker Iryna Tsilyk and artist Lia Mchedlishvili will present the upcoming feature-length animated film RED ZONE, offering a behind-the-scenes look at the project while it is still in development. The session will include a screening of the full animation test, followed by a conversation about the film’s story, directorial approach and the process of developing its visual language. Iryna will introduce the project and discuss how she approaches storytelling and directing within animation, while Lia will focus on the creation of backgrounds, visual development and her work as art director of the animation test.

  • CASES: Family Squad
    Anna Eliseeva, Antonio Lukich, Borys Klymov

    3.10 | 14:00 (UA), UNIT.City B.9

    During the presentation, the team behind Family Squad will show how the project evolves from a script into a fully developed animated world. The team will talk about the development of the script: how the characters and their relationships were shaped, how they found the right balance between drama, humour, and local context, which decisions changed throughout the development process, and how the written story gradually transformed into animation. The presentation will also explore the technical and creative decisions that shaped the project’s visual language: which software and tools the team uses, how collaboration between different departments is organised, what proved to be the most challenging aspects of production, and what solutions the team developed along the way.